Othello DVD Movies

Othello | Introduction

Along with Hamlet, King Lear, and Macbeth, Othello is one of Shakespeare's four great tragedies and thus a pillar of what most critics take to be the apex of Shakespeare's dramatic art. Othello is unique among Shakespeare's great tragedies. Unlike Hamlet, King Lear, and Macbeth, which are set against a backdrop of affairs of state and which reverberate with suggestions of universal human concerns, Othello is set in a private world and focuses on the passions and personal lives of its major figures. Indeed, it has often been described as a "tragedy of character"; Othello's swift descent into jealousy and rage and Iago's dazzling display of villainy have long fascinated students and critics of the play. The relationship between these characters is another unusual feature of Othello. With two such prominent characters so closely associated, determining which is the central figure in the play and which bears the greater responsibility for the tragedy is difficult.

More than anything else, what distinguishes Othello from its great tragedies' peers is the role of its villain, Iago. While the usurper King Claudius of Hamlet, the faithless daughters of Lear, and the unnatural villains of Macbeth (Macbeth, his Lady and the Weird Sister witches) are all impressively evil in their own way, none of them enjoys the same diabolical role as Iago.

Iago is a character who essentially writes the play's main plot, takes a key part in it, and gives first-hand direction to the others, most notably to the noble Moor, Othello. The play presents us with two remarkable characters, Iago and his victim, with Iago as the dominant force that causes Othello to see the infidelity of his young and beautiful wife, Desdemona, with his favorite lieutenant, Michael Cassio. Indeed, not only is "seeing" and the gap between appearance and reality a central theme of the play, it overlaps with other major thematic strands (trust, honor, and reputation) and sheds light on still others, including the theme of patriarchy and the political state.

Written in 1604, Othello is one of Shakespeare's most highly concentrated, tightly constructed tragedies, with no subplots and little humor to relieve the tension. Although he adapted the plot of his play from the sixteenth-century Italian dramatist and novelist Giraldi Cinthio's Gli Hecatommithi, Shakespeare related almost every incident directly to the development of Iago's schemes and Othello's escalating fears. This structure heightens the tragedy's ominous mood and makes the threat to both Desdemona's innocence and the love she and Othello share more terrifying.

Although narrow in scope, Othello, with its intimate domestic setting, is widely regarded as the most moving and the most painful of Shakespeare's great tragedies. The fall of a proud, dignified man, the murder of a graceful, loving woman, and the unreasoning hatred of a "motiveless" villain—all have evoked fear and pity in audiences throughout the centuries. If it lacks the cosmic grandeur of Hamlet or King Lear, Othello nevertheless possesses a power that is perhaps more immediate and strongly felt for operating on the personal, human plane.

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Romeo and Juliet DVD Movies

A perennial staple of high school English classes, Romeo and Juliet was written by Shakespeare at a relatively early juncture in his literary career, most probably in 1594 or 1595. During much of the twentieth century, critics tended to disparage this play in comparison to the four great tragedies that Shakespeare wrote in the first decade of the seventeenth century (Hamlet, King Lear, Macbeth, and Othello). Appraised next to the Bard's mature works, Romeo and Juliet appears to lack the psychological depth and the structural complexity of Shakespeare's later tragedies. But over the past three decades or so, many scholars have altered this assessment, effectively upgrading its status within Shakespeare's canon. They have done this by discarding comparative evaluation and judging Romeo and Juliet as a work of art in its own right.

Viewed from this fresh perspective, Shakespeare's tragic drama of the "star-crossed" young lovers is seen to be an extraordinary work. Indeed, Romeo and Juliet was an experimental stage piece at the time of its composition, featuring several radical departures from long-standing conventions. These innovative aspects of the play, moreover, reinforce and embellish its principal themes. The latter include the antithesis between love and hate, the correlative use of a light/dark polarity, the handling of time (as both theme and as structural element), and the prominent status accorded to Fortune and its expression in the dreams, omens and forebodings that presage its tragic conclusion.

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To Kill a Mockingbird DVD Movies

Ranked 34 on the American Film Institute's list of the 100 Greatest American Films, To Kill a Mockingbird is quite simply one of the finest family-oriented dramas ever made. A beautiful and deeply affecting adaptation of the Pulitzer Prize-winning novel by Harper Lee, the film retains a timeless quality that transcends its historically

dated subject matter (racism in the Depression-era South) and remains powerfully resonant in present-day America with its advocacy of tolerance, justice, integrity, and loving, responsible parenthood. It's tempting to call this an important "message" movie that should be required viewing for children and adults alike, but this riveting courtroom drama is anything but stodgy or pedantic. As Atticus Finch, the small-town Alabama lawyer and widower father of two, Gregory Peck gives one of his finest performances with his impassioned defense of a black man (Brock Peters) wrongfully accused of the rape and assault of a young white woman. While his children, Scout (Mary Badham) and Jem (Philip Alford), learn the realities of racial prejudice and irrational hatred, they also learn to overcome their fear of the unknown as personified by their mysterious, mostly unseen neighbor Boo Radley (Robert Duvall, in his brilliant, almost completely nonverbal screen debut). What emerges from this evocative, exquisitely filmed drama is a pure distillation of the themes of Harper Lee's enduring novel, a showcase for some of the finest American acting ever assembled in one film, and a rare quality of humanitarian artistry (including Horton Foote's splendid screenplay and Elmer Bernstein's outstanding score) that seems all but lost in the chaotic morass of modern cinema. --Jeff Shannon

Product Description
A true motion picture masterpiece, To Kill A Mockingbird is the acclaimed film version of the Pulitzer Prize-winning novel by Harper Lee. Gregory Peck's brilliant, Oscar-caliber performance captures the emotion and conflict of racism, set against the backdrop of Depression-era America. Peck stars as attorney Atticus Finch, a distinguished lawyer in a small Southern town who chooses to defend a black man wrongly accused of raping a white woman. His compassion and courage in the face of the town's unjust rage win him the admiration of his two young children, while setting the stage for a riveting, unforgettable drama.

System Requirements:
Starring: Gregory Peck
Directed By: Robert Mulligan
Running Time: 130 Min.
Copyright Universal Studios Home Entertainment 2005

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Macbeth DVD

Two of England's greatest actors, Sir Ian McKellen and Dame Judi Dench, electrify in this lean, stripped-down production of Shakespeare's darkest tragedy. In the wake of a battle, the Scottish warrior Macbeth (McKellen, Gods and Monsters, Lord of the Rings) receives a prophecy from a trio of witches: He shall be king. When fate

doesn't unfold quickly enough, Macbeth and his even more ambitious wife (Dench, Shakespeare in Love, Iris) decide to give it a push. McKellen sweats anxiously and oozes a creeping lust for power, while Dench is hypnotically vicious from her first moment. For audiences used to their film careers, this grand pair will seem young as pups (this TV movie is from 1979, adapted from an acclaimed Royal Shakespeare Company production)--but that only gives them an added edge of sex and vigor. Extras include the older McKellen thoughtfully commenting on the play and this classic production. --Bret Fetzer

Product Description
Murder, prophecy, and witches! MACBETH returns, starring Academy Award®-nominee Ian McKellen (The Lord of the Rings trilogy) and Academy Award®-winner Judi Dench (Shakespeare in Love), on DVD for the first time anywhere. First broadcast on Britain's Thames Television in 1978, this stark, compelling performance of Shakespeare's MACBETH retains the entire cast of the original 1976 Royal Shakespeare Company production, directed by three-time Tony Award®-winner Trevor Nunn (The Life and Adventures of Nicholas Nickelby, Cats, Les Mis rables). When a trio of witches prophesize Macbeth's (Ian McKellen) ascension to the throne, Lady Macbeth (Judi Dench) pushes her husband into a murderous spree. But once crowned king of Scotland, Macbeth sees ghastly visions, fueled by guilt and a new prophecy, that ensure his ultimate downfall. Also starring John Woodvine (Wuthering Heights) as "Banquo," Ian McDiarmid (Star Wars: Episode VI - Return of the Jedi) as "the porter", and Bob Peck (Jurassic Park) as "Macduff."

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Hamlet DVD

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It's the greatest work of literature, but nobody had ever filmed Hamlet uncut--until Kenneth Branagh went about the task for his lavish 1996 production. The result is a sumptuous, star-studded version that scores a palpable hit on its avowed goal: to make the text as clear and urgent as possible. Branagh himself plays the melancholy son of the Danish court, caught in a famous muddle about whether to seek revenge against his royal father's presumed slayer… the man who now sits on the throne and shares the bed of Hamlet's mother. (Or, as the song "That's Entertainment" summarizes the plot: "A ghost and a prince meet / And everyone winds up mincemeat.") As a director, Branagh (who shot the movie in 70 mm.) uses the vast, cold interiors of a vaguely 19th-century manor to gorgeous effect; the story might scurry down this hallway, into that back chamber, or sprawl out into the enormous main room. With its endless collection of mirrors, the place is as big and empty as Citizen Kane's Xanadu.

That all works; what doesn't work is Branagh's tendency to over-direct the big dramatic moments. He indulges in quick cutting and flashbacks as though to fend off the audience's objections to the four-hour running time, and the style sometimes looks like wasted energy. The experienced Shakespearians in the cast come off nicely; Derek Jacobi's Claudius, Richard Briers' Polonius, and Michael Maloney's Laertes are just terrific. Julie Christie is a suitably attractive Gertrude, and Kate Winslet makes the most of Ophelia's mad scenes. Branagh's habit of folding in unexpected American performers is on the mark, too: Billy Crystal is surprisingly good as the Gravedigger, Robin Williams predictably camps up Osric, and Charlton Heston is an inspired choice as the grandiloquent Player King. The biggest irony here is that Branagh himself is not quite spot-on as Hamlet. Of course he speaks the lines beautifully, but Branagh's screen personality radiates certainty and clarity of vision; there's little of the doubt that might make him Hamlet-esque. Still, tremendous credit for fending off slings and arrows to get the movie made. --Robert Horton

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In the Time of the Butterflies DVD Movies

In the Time of the Butterflies tells the real-life story of the Mirabal sisters, courageous revolutionaries known covertly as las Mariposas ("the Butterflies"). The sisters' years of dissent during the Trujillo dictatorship in the Dominican Republic led to their eventual murder in 1960, a brutal crime that signaled the beginning of the end for Trujillo. Told through the eyes of Minerva Mirabal (Salma Hayek),

the story follows a somewhat predictable plot line as the sisters progress rapidly from naive to idealistic to victimized and on to resolved as they become leaders in an elaborate plot to assassinate the dictator. As with so many biographical depictions on film, even though this one is based on a highly acclaimed novel by Julia Alvarez, the narrative shifts from past to present are clumsy and excessively sepia-toned; the script delivers its life-was-better-before-sequence with little to no grace before quickly connecting the dots of history. Nevertheless, Edward James Olmos, as Trujillo, does a remarkable job of conveying the unique mixture of political intuition and ruthlessness needed to maintain a dictatorship for 30 years, while Hayek delivers a spirited lead performance. --Fionn Meade

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